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This feature uses a 3D sketch point where you made the selection in Step 1. You cannot dimension this point while setting up the feature, only by creating the feature and then going back and editing the 3D sketch absorbed under the feature. This is also the arrangement with the Lip/Groove. Remember that you cannot dimension 3D sketches the same way that you dimension 2D sketches. You may need to dimension to planes rather than edges or points to get the dimensions you really intend. The Snap Groove PropertyManager interface is shown in Figure 32.4, along with a cross section of a finished Snap Hook and a Snap Hook Groove. To use the Snap Hook Groove feature, you must have already created a Snap Hook feature. The interface seems to imply that it requires the body the groove goes into to be in the same part as the body of the hook feature, but this is not the case. You can create this feature in-context between a part with a hook and the part to receive the groove.

Integration and verification plans should be available at the design-to decision gate. There are four categories of integration: 1. Mechanical: Demonstrates mechanical compatibility of components. Demonstrates compliance with mechanical interface specifications. 2. Electrical: Demonstrates electrical /electronic compatibility of components. Demonstrates compliance with electrical interface requirements.

(3.143)

But, on the other hand, it follows from v,(A)5 v,o(A) and .*'(A) 5 v * ( A )that P 3 P; hence P = . The assertion of the lemma follows. H The sufficiency of the condition in Lemma 10.2 follows at once from the remark that it is equivalent to E , (0) 5 0.

Though it may vary depending on the user-security settings, the default database is probably the Master database. Be sure to change to the appropriate user database using the database selector combo box in the toolbar, or the USE database command.

The Extruded Surface works exactly like an extruded solid, except that the ends of the surface are not capped. It includes all of the same end conditions, draft, contour selection, sketch rules, and so on that you are already familiar with. Figure 27.3 shows the PropertyManager for Extruded Surface. You can also create extruded surfaces from open sketches, and, in fact, that is probably a more common situation than creating a surface with a closed sketch. When two non-parallel sketch lines are joined end to end, the result of extruding the sketch is a single surface body that is made of two faces. If the sketch lines were disjoint, then the extrude would result in disjoint surface bodies. If the sketch lines were again made end to end, but done in separate sketches, then the resulting surface bodies would be separate bodies; the second body would not be automatically knit to the first one as happens with solid features. This is an important quality of surfaces to keep in mind. If you create surfaces in different features and want them knitted into a single body, then you will have to do that manually.

(1.59)

DefaultTrailingForeColor (Protected Static Field)

Despite the word variable in the name global variable, the values are not variable. They are fixed, and only changeable through the Equations dialog box. The only place where you can use global variables is in equations. You cannot directly enter them into dialog boxes for dimension values, or use them like Link Values. You can use custom and file properties to drive equations. If you right-click your Equations folder and select Show Properties, you see that the default file properties already exist in the list:

. . . . . .

In this example, I connect a synthesizer to a PC s MIDI/game port, but you don t have to do it this way. You can buy a MIDI interface box that hooks up to a USB port, which may be the way to go if (for example) you want to connect to a laptop PC that has no MIDI/game port. Now, here are the steps. 1. Turn off the PC. 2. Connect the PC-to-MIDI adapter cable (see Figure 9.19) to your PC s MIDI/game port. Only one of the cable connectors will fit (it s the male 15-pin D -shaped connector) so you can t do this incorrectly. If you already have a joystick or two connected to the game port, remove it; you ll be able to reconnect it to the joystick connector on the adapter cable. 3. Attach one of the MIDI signal cables to the PC-to-MIDI adapter cable s Out connector. 4. Connect the other end of that MIDI cable to the synthesizer s In connector (see Figure 9.20). 5. Attach the other MIDI signal cable to the PC-to-MIDI adapter cable s In connector. 6. Connect the other end of that MIDI cable to the synthesizer s Out connector.